Showing posts with label Cotati. Show all posts
Showing posts with label Cotati. Show all posts

Wednesday, July 21, 2010

8201 Old Redwood Highway, Cotati, CA The Inn Of The Beginning, Cotati, CA 1969

(a photo of Friar Tuck's Pub at 8201 Old Redwood Highway, Cotati, CA, taken on July 12, 2010. The sign for The Inn Of The Beginning is visible at the top of the wall)

It is often a tricky enterprise attempting to photograph the sites of old venues. Addresses change, buildings are torn down or remodeled, roads and sight lines change, and what might be the site of an old venue may turn out to be misleading or mistaken. Not so with the Inn Of The Beginning in Cotati, California, where Jerry Garcia and The New Riders of The Purple Sage played at least four low-key shows in late 1969. Although the venue closed many years ago, the sign for the old club hangs proudly above the entrance, no doubt in the interest of aiding Rock Prosopographers everywhere.

The Inn Of The Beginning
Cotati was a sleepy, iconoclastic community that dated back to the 19th century, and a generally interesting place, for a rural area. As development expanded beyond Santa Rosa, the largest city in the County, Cotati was in danger of being annexed by Rohnert Park, a growing suburb of Santa Rosa. As a result, the town incorporated as a city in 1963 to control its own destiny.

As part of the dramatic expansion of state-funded education in California, Sonoma State College was founded in Santa Rosa in 1960 (taking the faculty, staff and facility of San Francisco State’s Santa Rosa Center, founded in 1956). However, by 1966 the entire Sonoma State campus had relocated to a new site in Rohnert Park. Calling the campus and the county “bucolic” does it a cruel injustice; year-round balmy weather and a beautiful setting made Sonoma State a desirable campus immediately. Eccentric Cotati, just next to Rohnert Park, immediately became the ‘college town’ associated with the Sonoma State campus.

The free-thinking history of Cotati made it a nice fit with the newly expanding Sonoma State campus. The Inn of The Beginning was founded in 1968 as a coffee shop and bar that provided both a  watering hole and a venue for local groups. The opening night band on September 28, 1968 was Bronze Hog, featuring guitarist Frank Hayhurst. Hayhurst, at one point, became co-operator of the Inn, and now owns a music store in Cotati.  The Bronze Hog played The Inn Of The Beginning in all its incarnations for decades, and the band still plays around the city periodically, and that sums up Cotati in a nutshell (for more on Cotati in the 1960s, see here).

Cotati’s friendly atmosphere and convenient location of The Inn made it an attractive place for the many world-class musicians who lived in Marin to use the Inn of The Beginning as a venue to work on new material or try out a new lineup. Over the decades, the likes of Van Morrison and Jerry Garcia played there many times, often with very little publicity. Ironically, this has led to an expansion of the legend beyond its actual width; the New Riders of The Purple Sage played there in 1969, but this has led to the unsustainable story that the Grateful Dead used to play there “every Tuesday.” Janis Joplin is reputed to have joined Big Brother there one night in 1970, and it is impossible to say whether she did for certain.

In 1969, however, after many major San Francisco rock luminaries had moved to Marin County, a show at the tiny Inn Of The Beginning in Cotati was an easy drive from both San Francisco and Marin. Thus the venue was an extra booking for working bands, and a chance for higher profile bands to play for a friendly audience without a lot of pressure. Jerry Garcia and his new band The New Riders of the Purple Sage took advantage of the Inn Of The Beginning to play 4 (or possibly 5) shows there:

September 18, 1969
A tape circulates from this Thursday night performance. It is unique in that Garcia shares the vocals with John Dawson, and he does not just la-la along on the background vocals. Since we have no other tapes until 1970, its impossible to say how typical this was(all clips are from Ralph Gleason's San Francisco Chronicle columns).

October 9, 1969
The New Riders played another Thursday night.

November 6, 1969
Yet another Thursday night. During this period, acts that played San Francisco clubs (like Elvin Bishop or Dan Hicks) mostly played weekends, so I presume local groups played on other nights. It seems that these discreet shows were effectively "extra" nights for the Inn Of The Beginning, when San Francisco club headliners weren't usually playing.

November 28/29, 1969
Ralph Gleason's column implies that the New Riders and Joy Of Cooking (from Berkeley) would play on Friday and Saturday November 28 and 29. His phrasing suggests that both bands would play both nights, but I actually think the New Riders played Friday and Joy Of Cooking played Saturday.

The New Riders were booked to play a show at The Inn Of The Beginning on March 12, 1970, another Thursday. After an exhaustive discussion on this blog, we decided that it was extremely unlikely that the group actually played the show.


(a photo of The Inn Of The Beginning and the attached bar "Spancky's", at 8201 Old Redwood Highway, taken on July 12, 2010)

The Inn Of The Beginning may have had a slightly different configuration in 1969 than it does now. There is a bar "Spancky's" at one end, and a small leather repair shop at the opposite end, all at the same address of 8201 Old Redwood Highway. I suspect that the 60s era club extended throughout the whole building, but as you can see it is not a large place. Thus I find it unsupportable that the Grateful Dead proper ever played there, charming as the idea might be. I would find it plausible, however, that the "acoustic" Grateful Dead played a show there in 1970, as it would be a good place to try out new equipment or material. If such a show took place, it was probably on a weeknight around either April or July 1970, and there was probably no publicity.

Aftermath
The Inn Of The Beginning lasted through the mid-70s in its original incarnation. It re-opened in the early 80s under the name The Cotati Cabaret At The Inn Of The Beginning, when it merged with an establishment across the street. The Inn remained a venue at least into the 1990s, but I'm not certain when it turned into an Irish Pub. Cotati and Sonoma remains as beautiful as ever, although the wine business has made the price of property formidable indeed, in return for which it has made the County a destination for food and drink of all types.

Monday, June 14, 2010

March 12, 1970 Inn Of The Beginning, Cotati, CA New Riders of The Purple Sage


[For all my clever theorizing in this post, I have now rejected it. For the reasons I think the March 12, 13 and 14 New Riders shows were never played, see my post here. I am leaving this post intact in the interests of Historiography, and anyway the Comment thread is great]

JGMF had an interesting query about the lack of activity of The New Riders of The Purple Sage between November 28-29, 1969 and early 1970. I am going to recap some of my comments there, with the added information that I seem to have found the earliest New Riders show for 1970. The clip above, from Ralph Gleason's Chronicle column on March 11, 1970, mentions the New Riders of The Purple Sage playing the Inn Of The Beginning in Cotati on Wednesday, March 12, 1970. The Inn Of The Beginning was the site of the previous known New Riders show, on either November 28 or 29 (I'm inclined to believe they only played Friday the 28th, not both nights).

We used to think that the New Riders only played occasionally from Summer 1969 until April 1970. We have now discovered, however, that the New Riders were working pretty steadily from August through November of 1969. Why did the New Riders stop playing for some months, and then return as regular performers by April? The short answer is that I think its about finding a replacement for Phil Lesh. I think Phil agreed to play bass for a while, and then lost interest or reached the limits of his commitment (eg he told Jerry he would do it for six months, or something like that). The steady 5-month run is why I think the band was actually called to a halt, temporarily, and since Phil Lesh was the only member who didn't continue, his replacement seems like the biggest issue.

All the stories about finding a bass player for the New Riders make considerably more sense if you think about them as taking place in Winter 1970 instead of Summer 69. I think Phil agreed to get the show on the road--an unrehearsed Phil is better than most bassists, period--but it wasn't his thing. Have you ever heard a word of nostalgia or regret from Phil for passing off the Riders? Subsequent history has shown that Phil was never a guy who liked to play bars, nor did he have any interest in playing simple bass parts--even when Leshidelically embellished--for much longer than a benefit concert.

The whole saga about Hunter writing "Friend Of The Devil" with Dawson took place in Winter 1970. Hunter even said somewhere that he rehearsed with them but never played a gig, and he suspected Nelson was planning to get Torbert in anyway. The whole Hunter-as-bassist scenario fits into a time period when Garcia and the Riders were working on new material in anticipation of performing, but had no bookings at the time. Thus the New Riders of The Purple Sage existed, but only in the Greater Kentfield Metropolitan Area.

Here's my ratiocinatio about the New Riders circa Winter 1970:
  • Garcia, Nelson and Dawson took their concept out in the clubs in late 1969, to see if it was viable. Mickey Hart and Phil Lesh came along for the ride, essentially as a favor to Jerry and for general fun.
  • In early 1970, Garcia decided he was serious about the Riders concept. Lesh played out his option--he was never a nightclub guy anyway. Hart stuck around. That meant they had to find a real bass player. Do you think Garcia and Nelson didn't talk about it?
  • The Riders started writing and rehearsing new songs. Hunter was their ghost bass player. Garcia and Nelson must have strung him along in some ways, without quite lying to him. Hunter is an adequate bass player, but I suspect Nelson had a bit more of a bluesy feel in mind.
  • Dave Torbert and David Nelson had played together for two years in the blues-oriented New Delhi River Band, but the band broke up in early 1968. Torbert went on to play in some groups that didn't go far (Shango and Horses) while Nelson didn't perform much at all until the New Riders started in mid-1969. By late 1969, Torbert's ventures had folded, and he had gone to Hawaii to surf.
  • Torbert was actually on his way to England to join Matthew Kelly in his band (Gospel Oak), and stopped at his parents to pick up clothes, when Nelson called him about the New Riders. I find it a stretch that Nelson just "happened" to call when Torbert was in California and about to leave the country. I think Dave Torbert was the first round draft pick all along--in fact that may have been Nelson's plan for quite a while--but he simply wasn't available until Spring 1970. First Lesh and then Hunter were placeholders until Torbert was in town and willing. 

The only New Riders shows I know of in March 1970 are this one at the Inn Of The Beginning on Thursday, March 12, and then Friday and Saturday, March 13 and 14 at the New Orleans House in Berkeley. I think these three shows were Dave Torbert's debut with the New Riders, and a test to see if Torbert fit in live and got along with the rest of the band. Obviously he passed with flying colors, and the New Riders could be booked as part of the May 1970 Grateful Dead college tour.

The burst of late April 1970 New Riders shows (7 shows between April 17-30) was needed to get the band ready for the road. However, these few shows in March needed to be early enough to see if the band wanted to continue down the Torbert Highway, but clearly and fortunately they did. Since we have no tapes or setlists for New Riders shows after September 18, 1969, nor any before May 1970, we have no idea how the March 1970 and Fall 1969 shows compared, but at least we can see the outlines of how the group was thinking.

Some Considerations
It is a commonplace of the New Riders saga that the Dead realized that by using Nelson, Dawson and three Dead members, they could be their own opening act. Thus they would receive the opening act's fee at a considerably lower expense. This was tried once in August 1969, when the early New Riders went to Seattle, and then the idea was shelved until Spring of 1970. By Spring 1970, the Riders were down to only two Dead members (Garcia and Hart), rather than three. No one ever discusses the "time-to-market" of the New Riders concept (not that such a concept was identified at the time).

I think the principal factor was the release of Live/Dead in November 1969. Prior to that time, although the Grateful Dead were a wonderful live band, only those who had already seen them knew that, and touring became a Catch-22. The Dead couldn't receive good fees except where they had already played, and it limited their touring options to a small number of cities. In particular they couldn't put together a profitable string of one-nighters in the smaller cities between Dead strongholds like San Francisco, Seattle, Chicago, New York or Boston.

Once Live/Dead started to blast out of stereos in college dorm rooms across the country, all sorts of people suddenly wanted to see the Dead in person. Prior to the album, I think the Dead had a hard enough time getting paying shows, so asking that their completely unknown opening act receive a fee also (probably $500-1500) was not on the table. By the time the May college tour was booked, however, probably in February or so, every booking agent knew that the Dead would pack college gymnasiums from Alfred, NY to Kirkwood, MO, and so they did. Since promoters expected long shows, the better to sell more popcorn, the fact that the Dead brought their own opening act made a nice compromise, a little fatter fee for the band in return for simpler logistics for the promoter.

The Grateful Dead's finances had been destroyed by Lenny Hart, so they had to tour hard and maximize every dollar they could, but the New Riders of The Purple Sage assisted in that concept. If the Dead were headlining in an out of the way spot like Binghamton, NY, there wasn't touring rock bands around to open the show anyway, so the New Riders made a nice fit. Once Workingman's Dead was released in June, 1970, the audience grasped where they fit into the Dead's cosmology, but prior to that time it was a very new concept that would have had to be explained to promoters nationwide.

The truth is that I doubt the New Riders were actually billed anywhere on the Spring 1970 tour other than the Fillmore East. I think the shows were promoted as "An Evening With The Grateful Dead"--yet another now-conventional innovation--and the audiences had no idea who the New Riders were. If anyone actually saw those shows, it would be interesting to know what the perception of the New Riders was at the time.


The Inn Of The Beginning, 8201 Old Redwood Highway, Cotati, CA
Iconoclastic Cotati, CA was the "college town" associated with the then newly-opened (1966) Sonoma State College. Before wineries priced Cotati out of the range of regular people, the town was a bucolic hippie dream, a relaxed agricultural area, next to a college and still an easy drive to San Francisco. The Inn Of The Beginning, a sort of coffee house with music at 8201 Old Redwood Highway, opened on September 28, 1968 with the band Bronze Hog. The Bronze Hog still live in Cotati, as far as I know, and still periodically played The Inn Of The Beginning until it closed a few years ago, which nicely sums up the many charms of Cotati (and I'll bet they're not unknown at the Irish Bar which replaced it).

Jerry Garcia and The New Riders of The Purple Sage played a number of low-key shows at the Inn in 1969, often on weeknights. Its not surprising to find that when debuting a new bass player the next year, and possibly new material, they would choose to do so on a Wednesday night at a tiny, comfortable joint amongst friends.

[As I said at the top, I am now rejecting all my own reasoning, as upon reflection I think the March 12, 13 and 14 shows were never played. See my later post here]